CannaBook Club

When:
May 27, 2019 @ 6:00 pm – 7:00 pm
2019-05-27T18:00:00-06:00
2019-05-27T19:00:00-06:00
Where:
The Coffee Joint
1130 Yuma Ct.
Cost:
Free
Contact:
Kenneth
7205834657
CannaBook Club @ The Coffee Joint

The CannaBook Club is for stoners who appreciate the written word. Each month a book, generally related to Cannabis culture, will be assigned, and then the club will meet on the last Monday of the month to consume Cannabis and discuss the book. In honor of Denver’s vote to decriminalize psychedelic mushrooms, May’s Book is: The Doors of Perception by Aldous Huxley In 1952 Aldous Huxley became involved in the now legendary experiment to clinically detail the physiological and psychological effects of the little known drug used by Mexican and Native American elders in religious practices. The drug was Peyote-now commonly know as mescalin. By the standards of the time, Huxley was a hard-working, respected, and reserved intellectual from a highly intelligent, well-know, and eccentric British family. By any standards, the results of the experiment were remarkable. The Doors of Perception and Heaven and Hell detail the practicalities of the experiment and give Huxley’s vivid account of his im-mediate experience and the more prolonged effect upon his sub-sequent thinking and awareness. At first, the reader is drawn in by the sheer naivety and tom-foolery of the proposal but is soon caught in a finely woven net by the juxtaposition of Huxley’s formidable intellect, his remarkable ability to convey the experience in such acute and truthful detail, and his incredible modesty. In 1922 Gertrude Stein famously wrote – A rose is a rose is a rose. In proving her right, Huxley also shows the deeper meaning be-hind the apparently simple verse and goes on to deliver such spectacular accounts of the most everyday objects that the reason for their repeated and continual renderings by all the major artists throughout history suddenly becomes quite clear. For the con-scious and willing reader – a trip to the Guggenheim, the Louvre or the Tate Modern will never be the same again.

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